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You are invited to a talk, performance & art exhibition of photography & painting.

Located at The Old School, Dornoch St. G40 2QT

Doors open at 3pm. Introduction to the program at 3.30pm.

There will be 90 tickets available for this one off performance.

Please arrive on time. Priority access will be made for those with mobility requirments. There is ramp building access and lift to upper floors & disabled toilets.

Doors at 3pm, the event begins at 3.30pm with two 30min talks. Prepared by the artist on the topics of Japanese Artist Kaii Higashiyama & The Kumano Kodo pilgrimage walk. I hope you appreciate a small introduction to two things I was unaware of and the story of how this ties into me.

Gillies spent 3 months in Japan visiting art galleries and nature.

An interative element for the 90 guests will begin at 5pm.

Guests are welcome to stay and experience the art which is a set of new paintings. Photography comprised of the 4000 images he captured. And the artist’s studio where I create. Not to forget the fine 1890 building for the rest of the evening.

This is not just the normal turn up and look at the paintings format, the artist has prepared various elements that I hope capture your mind experience.


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The Pilgrims Quest


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2015 has passed very quickly, and you may of noticed almost silence from myself.
The year started with holding a flash auction of all my work in February. I decided to just clear the decks as after a very productive previous year and my general collection I was sitting on over 70 works. The ‘weight’ of this was, well weighing me down!

I wrote some extensive blogs on this thought process at the time, and although almost heartbreaking to sell large works for not much more than the framing cost it was worth it overall to have space and after 10yrs not be bound down by the responsibility of paintings.
I needed a clean slate, well an empty one at best before I start the next stage.

The very next day after launching my auction and the video being shared over 100 times and viewed by several thousand people, by chance I was offered 10 months work in a reputable restoration studio.
I decided to see the auction through, as the goal remained a good idea, take the 10 months work and at the end of the contract be able to take time out in Japan.

So 2015 has seen zero activity on my webpage, I decided not to produce any new work this year so clearing my decks is not undone.
I depart on the 18th of December to Tokyo, with one of my main destinations being the Kumano Kodo pilgrimage walk, the art museum of Kaii Higashiyama and general wandering.

The last few paintings which were not sold have been significantly reduced on the webpage have a look at my works.. my key favourites are the 6ft waterfall and Tomioka I & II.

As to my future works I plan to be creating work while in Japan. Part of my journey is walking the Kumano Kodo, an ancient pilgrimage walk with a shrine to the forest spirits.
I will be sending works back to Scotland as I travel and upon my return collate the works into an exhibition and make paintings available to buy here estimated time Autumn / Winter 2016.

I have one last surprise for this year happening on November 3rd. My policy of not producing art this year is not being stuck to for this, I am doing a special 2 works for a personal project. The details of this will be released soon….
Just remember November 2nd @Old Hairdressers, Glasgow.


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2014 Art Review



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“since change is inevitable, we should direct the change
rather than simply continue to go through the change…” – Gil Scott-Heron

This is now the closing moments of 2014 and I look back on the year, the art I produced and the exhibitions I took part in, with the low November sun streaming in through the window.
The year has flown by really fast. It does not seem like a whole year ago that I just arrived in Bilbao to represent Scottish Craft at the 18th Euskal Denda Show and was taking a midnight walk around deserted streets in the crisp cold air by the cities river.

So what has happened this year?
January was good, I was pretty tired after Bilbao but had spent a relaxing and enjoyable Christmas & was feeling positive after the surprise trip in December. I had in mind a plan for the year and launched straight into it.

A house exhibition in March of Sumi Ink drawings. Working on pine branches and some leafy tree impressions. I put together around 7 works for this produced over Jan/Feb.
The exhibit was really fun, and a bit odd opening up my house for the purposes of an exhibition, but it went well. I was really charged with the creative buzz from the ink drawings.

In the final 2 weeks before the show I had also stumbled into producing a set of 8 waterfall paintings. That really changed everything and more than the ink drawings I think shaped the year to come. Although I have some plans in mind still to investigate further Sumi Ink painting.

April was spent in front of a computer organizing the Art Exhibition “Art On The Hill” which was to be held during the Southside Fringe Festival. It was a full on operation and I am not quite sure how I got through that one. But it all came together and the show opened in May. 100 artists. Around 470 art works.
During June I was mentally & physically exhausted. Nothing got done, July also. After the total full output of everything I had to put that show together I was totally shattered.

August I got phoned up by a restoration studio who needed extra hands. The weather was beautiful, the commonwealth games and the build up to the years big event of the Referendum. It was nice getting back into proper leading up church windows after several years out of it.

October and November I worked on a collection of 10 night time paintings and am now in preparation for my only winter exhibit taking place at The Ceilidh Place in Ullapool opening on the 5th of December.

Here is a preview of my newest work “Tomioka”.

I am at something of a professional and life crossroads.
The last 6yrs have been completely & intensely art focused and I am reviewing this time.
Creatively I feel I am producing great work, this year has seen the most work I have ever completed since I decided to make Art my full time occupation in 2005.

I did focus a lot of time on effort to make things happen on the wider Glasgow art scene this year, although I produced my greatest amount of work I did feel it could of been more and my commitments to external events took time away from creating.
In the next year I am looking to get my work into more commercial galleries to get my work seen by a wider audience, simply put at this stage in order to continue my progression artistically I have to match and surpass the level of the last few years.
So that is my goal for 2015.

My previous post about my Limited Edition Print Box has been adapted into no longer being “limited edition” as I have never really liked the idea of limits and I do want to make my work available to everyone. The price structure has also changed with my work divided into 7 sets containing 5 prints each. I will add further sets as I produce new work. I’m looking forward to having these on show in Ullapool.

SO thats all my news, looking forward to 2015 and a couple days up North!!! As there has been far too little of that this year.

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Limited Edition Print Box


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Artist Collection By Gillies Art from pete gillies on Vimeo.

Over the last two years I have added various options for the availability of my art in print form.

Its a process of fine tuning the model where by I am comfortable in the way my work is available to the people that love it.

I have been looking for a way to ease my time to be spent more on the production of art and less on the task of sales promotion. As it stands I spend nearly 100% of my time on sales related business and I have no time or finance to pursue the inspiration to produce art, this cannot continue.

So the concept is to refocus my time on creation. If I can design a product that will hopefully at ‘100% sold’ will provide me with a basic annual income and the news I bring you day to day via my blogs and facebook will be less about sales and more about art and what I am working on.  Much more interesting don’t you think?

This box of prints is limited to 250 issues, and each year I shall work to produce a new collection that can be contained within the box. Once the issues are all sold these images will no longer be available until such times as I produce a complete works book in the future. limited edition print box   The box has screws at the back and you can remove the print selection & change what is displayed at the front. This captures everything I love about artist book collections and postcards of images. The box has the potential to hold 75 images. It can be hung on the wall or sat on a shelf or mantelpiece.

The prints are produced on lovely thick paper in a fine print quality.

The specs are as follows –

Soft Textured Natural White 100% cotton 315gsm IFA 22 Innova soft-textured, has a natural white finish with a slightly structured, soft-textured surface equivalent to a traditional etching fine art paper making it ideal for digital fine art and photo reproductions. The surface has a special matte coating, designed for high quality fine art and photographic reproduction with inkjet (giclée) technology.

Features: 100% cotton linters / Great colour accuracy / Archival quality Dye & Pigment ink compatible.

The entire box width and height is 13.5 x 17.5 x 5 cm limited edition print box

So now there are a simple 2 choices available. The original work will be for sale, and a select range will be available as an annual print pack. Taking into account I have so far printed 5 of editions of these prints that were sold as individual gift cards so there are only now 245 editions of the full set permitted. With number 1 now sat on my stereo speaker with the drawing “Birch Trees” at the front of the display these are now available to order. Remember once they are gone they are gone.

Congratulations if you have bought a print from me in the last 2 years as they are no longer available and although not officially numbered  are in seriously few quantity.

I’m dead excited by this as a concept and look forward to filling up the box.


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Scotsman Abroad

Paintings, Stained Glass


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You may of read my previous blog where I applied to an opportunity shared on the Craft Scotland website looking for a Scottish craft maker to go to the Basque Country and represent Scottish Craft at the 18th Annual Euskal Denda Artisan Show.
I often look at such opportunity webpages but I have never applied to any. But the spirit of this one appealed to me and although very short notice until the event I sent the organisation a email application….

About two weeks later I was sat in the departure lounge at Manchester Airport having successfully made it through security with a suitcase full of lead & glass weighing about 20kg. This Scotsman was about to go abroad for the first time in 4yrs !
A couple hours after that it was 2am, crisp and cold, and I was stood outside the Guggenheim Museum in Bilbao on deserted streets watching the river quietly float by.


That was the 1st of December and I returned to Glasgow on the 13th. The days that followed my return were mostly sleep orientated and then I traveled North to see my folks for Christmas for the first time in many years. Normally November / December is solid craft shows around Scotland but this year I decided not to do any as the previous year I had made such a loss, this year I played it safe. Then New year and that was December over in a flash. So I have been meaning to sit down and collate my thoughts about the whole experience since the 13th but the time never felt quite right.
I am still processing it myself and to include everything I wanted to was going to be a bit of a task.
Not only the Euskal Denda experience but also a round up of 2013 itself, a year that went by phenomenally fast and started with me in the depths of stress about my studio in the Hidden Lane, finally deciding to call it a day on that  in April and accepting it was not going to work in the way I had envisaged (which was very difficult to do), during that process producing a collection of new paintings, then renting Veneer Gallery for a month to put on my first solo show. Around this time there was also a number of Exhibitions happening in part through a Facebook group I had started in January 2013, which now has 514 members, and the rest of the year saw various projects emerging.
So 2013 saw a fair bit of worry, but also a lot of new friends and I have finally found the art scene I was looking for. Its great to actually have a network of artists all working hard doing their own thing in Glasgow, but working together and communicating and making the scene our own.

Back to Basque….
I arrived on the Sunday night, and was going to be picked up on Tuesday to get me and my gear to the town where the show was being held. I walked a lot!!!! Got my bearings in the town and saw all I could. Bilbao was very nice, the very first thing that struck me was they wash the streets down at night. Teams of street workers go out around midnight and power hose down all the pavements streets and roads. Not that they need it as I didn’t see any litter, if anywhere needs that its Glasgow!
I visited the Guggenhuim Museum. I am not a massive fan of sculpture in general but the Richard Serra sculpture was very cool. I liked the acoustics as you walked through the spaces, the sound of my footsteps changed. I got there first thing so I was the first person through the door and had peace to explore as I wanted.

20131203_101832 Guggenheim-Museum

 On Tuesday Anne and Heike, who were going to be at the show themselves with their soap business and had been my communication with the show, picked me up from Bilbao and we drove out to Durango which was about 40min away. The sun was setting and the mountain range around the town was very impressive. So far all the days I had been there had seen crisp clear blue skies, it was cold but not Glasgow cold. People kept asking me about my kilt, after the 3 days in Bilbao I had almost become a celebrity with everyone waving at me and shouting ‘Escotia Independencia’ !! The issue of Independence is the hot topic just now in the Basque country, although they are not permitted to have a referendum they are most certainly looking at whats happening in Scotland. Perhaps interesting they had chosen Scotland as this years representative for the show…


We stopped off at the hotel the Arbaso organisation had got for me and we had a coffee while we waited on the town newspaper photographer to come down and take my photo. The Scottish had arrived…….   Anne also got a txt from Bernat Vidal, the president of the Craft Association to say a friend of his had called him to say they had seen me in Bilbao.  When I finally met Bernat later that day he seemed very pleased I had actually turned up! This particular show was like his ‘baby’ and very important to him. I could see he was under a fair bit of stress getting everything in order… I was not to fully appreciate the level of this show until the first day when I saw what we were dealing with………


Well the fun started the next day with setting up the show, it was great having the day before to set things up. So I opened the cases and hoped everything had made it over intact. The display worked a treat, and I got everything put up pretty quick. The venue was what was possibly a big market hall originally, but had been adapted to community uses later, there was basket ball boards that were suspended from the roof and court lines on the floor.  I didn’t really take many photos, I didn’t take my proper camera so I only had my phone its takes good enough snaps but to honest I didn’t really have the time to be taking heaps of photos.

This is my display, I took the glass selection and an art collection. I decided against the Lion Rampant flags, but kept the Saltire up. My flight case held all the glass, fortunately although it had a size restriction it did not have a weight limit so I took all the glass on board the flight which made it through security surprisingly, and my case that went in the hold contained my display. To reduce the weight I made a set up I could assemble when I arrived out of cardboard. I was particularly pleased with the gift card holders. When I think of the equipment I hoof up to the West End for a show, and taking this to a different country was easier I think this is now future model.






The other artisans were very friendly. Not many had much English but we worked it out. Over the 4 nights of the show I was invited out to lunch and dinner, constantly offered beers and cigarettes. As I was there as a representative of Scotland I wore my Kilt, it never fails to fill me with joy the regard in which Scottish people are welcomed around the world. The Basque people were certainly no exception, it was quite the trip.

The response to my work was interesting. I had not really thought about how it would go down. What I had not considered, and what I was unaware of, was the cultural difference in the use of home windows. I intend my hangers to hang up in your home window, and throughout the day as you take a morning coffee and have lunch or are in at dinner time the different light conditions will make the experience of the hanger always new. I noticed pretty quick all the houses had external shutters over the windows that seemed to be closed most of the time. Whether this is in part because its winter time so they are kept closed to retain heat, and I get the impression people spend a lot more time outside in a social setting. Not home from work at 6.30pm to eat dinner infront of EastEnders…..    So in the end I only sold 4 hangers… people liked them but I guess it was just too far out the box to be common place in the Basque home. Not to worry though as I took a collection of prints along and they went down a storm. I wish I had taken more but on my limited budget I had to make very calculated estimates on what to take and which images.

Now some notes on the actual fair. This was run by ‘Arbaso’. The Basque word for ancestor. In the Basque Country they have established a association in each region of the country and the presidents of each association meet regularly to discuss plans . Full Time Artisans can apply to join and it appears they operate a high level of skill and quality required to be in with the association. Members then do fairs year round in the different regions and the focus is very much on promoting and valuing traditional skills and the skill of the artisan. Within the association you have insurance, and all sorts of benefits and help.

20131210_135942Above image – Moss Graffiti

Its long been a bee in my bonnet that we operate such a different way. This I find frustrating and as I explain why look at it from both the position of the artisan who aims to make this his full time job & living, and from the position of the public who enters a ‘craft fair’.   We have essentially two options as a maker. You do a large show in venues such as the SECC or whatever the equivalent is in the big city. This cost the makers anything from £1/2000 upwards and your artisan will quite possibly find themselves next to an umbrella company or drink firm, anyone that pays for a stand and that by no means acts a assurance of quality. I appreciate in some settings the need for diversity but when it comes to artisan crafts the public do need a wee helping hand as we have become so far removed from valuing true craft. So I believe there should be in place artisan associations to present shows and help the public have access to actual quality,   and provide a sustainable culture for the artisan. So in the setting of these fairs the artisan will find them useless. Handmade cant compete with corporate made, maybe further down the line when your nation has embraced and values the crafts, but that is most certainly not where we are and thats simply a lack of neglect and no organised effort to protect and nurture the scene.

Your second option is the banner outside a church hall / library / hotel lobby etc etc proclaiming ‘CRAFT FAIR TODAY’. This fills even me with dread and I do these things. This show can be organised by anyone with the skills to punt 30 tables to makers. At this level we find the hobbyist. Now an old man who has plenty of skill on a wood lathe may make a fine product but he may be doing it just for fun. I see this as a barrier for people who go to that fair and its their living. They may need to pay bills, its not a hobby. The presence of hobby crafters also stains the image the public receive, as thats how the work will be viewed. As a hobby. Not with value. The other problem is something I have noticed in the very immediate last few years is the explosion of various Craft Fairs. Its all too much, there are too many, the quality suffers and it just rips apart any value the good fairs had created in the minds of the public. Remember I am looking at this from the view that we have to completely shift the accepted public perception of artisan crafts.  And at the end of the day with 4 different fairs in one neighborhood alone how many people are there actually to attend, how much money is actually getting spent and how can that possibly work for all the makers. It does not. But who ever has put that show together has a guaranteed profit regardless of how the day goes down, in some cases these shows are run by profiteers and in some cases not… I know how much it takes to organize a show so I am not hitting out at those that have made this a job but when its just a job with little regard or appreciation for the craft well thats where we have a problem. And I well appreciate there are good days and bad days its just the way it goes but we have now crossed over into a completely destructive zone. Unfortunately makers are not really in a position to just band up and say no to these shows as well we have to do them as its the only option and even though its likely to be a financial wreck its the only option and its our job… Unless we do all band together and say no…..

So again why we do not have a model in place like the Basque people is crazy to me. This seems to me to be something our bodies like Creative Scotland and the like should be helping to put in place. Feel free to give me a call eh.

At the fair I think the final numbers in 4 days was just over 14000 people. We opened at 11am and there were folk waiting at the door. Everyone gets kicked out at 2pm and we go away and have a feast of a lunch, return at 4pm to find an actual hoard of people waiting to get in. And they paid to get in, only 1.50 I think but still they were happy to pay. Not like your nonsense of £15 or whatever it is for a SECC country living situation. The show is rammed until 9pm when everyone is ejected and we all go to the bar. Now thats how to do a craft show. Imagine that here!!

I was so impressed with how they organised this there was so many things I wanted to say, its such a multi level subject, and I feel so strongly about it, its hard to get everything down. I shall probably have to come right back as soon as I post this and add in that really important part I forgot about.  Anyways at the end of the show I packed up the cases and this is what I had traveled with. So as a trial run to travel to a different country and do a show it worked. I adapted my stall, got an impressive amount of work in 2 cases and now I want to try going somewhere else. It occurs to me I should probably take my work to where I think it would be better appreciated. This means more rural areas of Scotland but more to places like Sweden. I worked on the streets in Edinburgh street trading for 3 yrs full time. I kept a note of everything I sold, at what time, male / female, age, and where they were from. That right there is a LOT of market research. So I have a good idea about where I need to go, so I am looking into finding out how to contact folk in these scenes. So if you are reading this and have a friend that is from Germany / Sweden / Finland / Denmark and does art or craft fairs do put me in touch with them as finding this kind of info out remotely is pretty difficult. The things I have identified as the problems with the UK scene I cant honestly see changing, unless Creative Scotland give me a job to make this dream association a reality so rather than to continue to work in a broken system I should just not worry myself about it and go elsewhere.


Along side the Craft show was the book fair the same week. It was held in a different building in the town and was HUGE! All Basque publications and independent music labels. I didn’t have the time to see all the books and that was a shame, but I got 20min to check out the music end and grabbed 2 records. One by a famous basque singer Ruper Ordorika and his classic Basque album Hautsi Da Anphora.

One the second last night Arbaso held an awards in the towns ‘city hall’ type building. They had a piper who played at the start, he was from Falkirk originally but had been living in the Basque country for 15yrs. Well played sir. Here is a wee slideshow video the association made from the event. From what I could gather they had awards for the best presented stand, best work, and a lifetime achievement type award. I even got to go on stage to be thanked for coming, and they gave me a special badge pin as they noticed I always wore my hat with different badges on the back.


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If you speak Spanish here is a radio interview with the association president. Radio Interview





I pulled this text from this news site. A little is lost in translation but you can understand the sentiment.

Soruce – http://ccaa.elpais.com/ccaa/2013/12/09/paisvasco/1386594036_113393.html

“The Euskal Denda Durango has met this weekend with its 18th edition acclaim. To craft fair, held in parallel to the Azoka, have approached 14,045 visitors, representing an average of 4,691 during the three days that has developed, compared to 4,030 last year. The event, under the theme crafts at your fingertips ( Artisautza eskura ), has brought together a total of 52 craftsmen, including 40 from the Basque Country and Navarra 12 and the French Basque Country.

“Our public is sensitized to crafts. Merely pay into and denotes its interest to see and hold the Basque handicrafts and buy.’s Why it’s encouraging for the crafts sector, in these times when the economy is not at all anything buoyant people tipping in attending the Euskal Denda and buy handicrafts. definitely are some very positive data “, said President Arbaso, Organising Association and director of Euskal Denda, Bernat Vidal through a statement.

The figure of 14,045 visitors supposed to Arbaso a ‘boost’. One thing also where you have not computed the people who attended the event on the 5th, the opening day and open house, which also served for guided school visits. Vidal added that the public of the event is “committed and increasingly expert. Know that this is the biggest and best showcase of craftsmanship and adds value to all our efforts.’s Why we greatly appreciate his delivery, giving us strength to continue forward in a way that sometimes is not easy. “

The 52 artisans who have participated in the fair products have exposed sectors such as agri-food, glass, mteal, ceramics, wood, textiles, clothing, leather. Have also been able to see the work of bookbinders, policy-hand balls, cosmetic, restorative and recyclers. “All of them have been able to see them work live, while they have developed workshops and demonstrations that have been a success,” as he noted the event organizers in a statement.”

DSC_8435 copia

Stand Slideshow – https://picasaweb.google.com/100152576775386454509/18EuskalDendaStands?feat=flashalbum#slideshow/5960565205614247730

After the show was finished Anne and Heike invited invited me stay at their house for a few days. It was great to have a few days and see the local country side. I really noticed the tree diversity. It was very like Scotland but more natural forest with Scots pine and Oak looking very healthy. This area of the Basque country was famed for its boat building back in the day so the trees were well managed then. This could be in Scotland without a doubt, it reminded me of home very much. I stayed up late with Heike and had some great chats about the problems of our business, some things were the same, some different. It was very interesting to here about a new perspective. There were a few stand out schemes. One was the unification of factories, were the people workign for a company inverested spare wages back into the firm and there was a system in place where by if you wanted to move town they would hepltransfer you into a new job so you didnt just quit. With enough companies operating in this way enough people could effectively trade positions. Genuis. Also there was a skill trade scheme in opperation where by you gave an hour work, took and hour work. You might be able to tune a piano, you might need a washing machine repair and by helping someone else you can ask another person for help. Great idea.



Still with blue skies I got to visit a few different towns and eventually it was time to return to  Bilbao and get my flight home. On my last night I treated myself to a gig by The New York Ska-Jazz Ensemble who happened to be playing on my last night. That was great. Even got my record signed by the band at the end of the gig. Even on the last night I was early to the gig so went into a random bar across the street, a lady at the bar smiled at me and I clocked she was explaining to the bar man who I was. It seemed where ever I went someone knew who I was. It was rather odd.

So overall I think I did a pretty good job representing Scotland. And as a final note it was only possible with the help from friends and people who follow my facebook page. With such short notice to the show I had about 8 days to turn round all the money to go, travel & flight fare, accommodation and food money. Arbaso were going to give me some when I arrived which was very kind to help and they supplied the hotel during the fair. But without folk buying things in those 8 days non of it would of happened.

So MASSIVE thanks to those that sent me a message and said can I buy that.

My plans for 2014…. well I started the year by getting some new paper to work on some Sumi ink painting. I put together a video of me painting last night. I plan to put together a small collection of these paintings in the next couple weeks. And for the rest of the year plan to put together a 15/20 painting collection for exhibit by the end of the year.

Gillies out.
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Euskal Denda

Paintings, Stained Glass

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“Euskal Denda, an annual craft market in the Basque Country, is looking for up to six professional makers to represent Scotland in their 2013 event.
Arbaso is a craft organisation based in the Basque Country. Running their annual market Euskal Denda (now in its eighteenth year) simultaneously with the yearly book fare in the Basque town of Durango, Arbaso aim to host one of the most culturally significant events in the Basque Country.
Scotland is Euskal Denda’s chosen guest country for 2013. They would like to invite six Scottish makers to showcase their work during the Craft Market, which will run from 05-08 December”. – CraftScotland.org

So…. I applied a couple weeks ago when I saw this post on Craft Scotland and have been invited as a representative of Scotland!! YES ! I am very pleased, I was all resolved not to be doing any shows this Christmas, and these dates are normally when I would be up in Inverness doing my annual show. Not This year!

I have always wanted to take my work to a show somewhere outside of Scotland, I had always pictured it would be Sweden, or somewhere snowy and cold. The Basque country was certainly not on my radar, but as it now is it appears there may be some cosmic compass directing involved here.
This always seems to happen at this time of year too….. mmmmm

Well cosmic compass I heed your clue.

So I know no more about the show currently than whats above, only found out the other day. At the moment I am trying to work out what and how to take my gear. This is not as simple as calling Hampden cabs and getting a run up the westend to do a show. So straight off the bat I wont have my big light box. and will not have room to take easels and all my bits and bobs. So I am thinking of maybe designing a travel box that acts as box basically, for everything… but will open up and when empty turn into a light box. Its actually quite simple… quite. I have a picture in my head anyway 🙂

Got a good collection of glass work built up, keen to make something special before I go now. I have 2 weeks…. what can I rustle up? Planning on making a short video of my practices to share for before I get there and when I am there on a laptop with headphones. Lots of ideas.

I had not thought of the logistics or costs when I applied. I actually didn’t think I’d get it, not because I doubt my work… this is exactly the kind of thing I should be doing.. but because I figured it these kind of things were normally done by the usual suspects in the know, canny with a grant applications bouncing from residency to residency. Nope, turns out you should just apply to these things when you see them and maybe it will be you. Why not, nothing ventured…. Lesson learnt on that one.
I think this project is a tremendous idea, maybe thats actually why I did apply with my heart. I like the concept. Inviting different countries each year. I would love to see that happening here, its this kind of community grass roots efforts that are very worth while. Good on them!

This is a most welcome adventure.

So its mental hectic for me, 14 days to sort everything. Game time, big time. But really looking forward to this.

I shall leave you with this image I made, I totally love it. Turned my painting Snow Fall In The Woods into a gif with falling snow (click on the image if its not moving I noticed it does not on my computer unless you open it up in a new tab/window).
snow fall painting

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A Touch Of Scotland


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Well as the final leaves drift off the branches we move into the winter after the longest and best summer I’ve ever known, I begin to reflect on the past year.
So whats news. A fair bit, the charity auction I helped put together last month raised just shy of £500 for the charity. A fantastic amount, and so glad so many artists came together to make it happen. And I am really glad to say its going ahead again at the start of December same script Sunday December 1st. This time the charity is The Philippines Typhoon Appeal. You can Fb the event on this link – https://www.facebook.com/events/1429815407247317/

I also have sent a number of paintings up to Touched By Scotland in Oyne, just north of Aberdeen, for their Christmas Exhibition.
I selected ‘Hide Away Tiny Creatures’ from last year, two from the Bird & Moon series painted Easter time this year, and three of my blossom pictures from April time.
touched by scotland

I am not doing my usual tour of craft shows in the highlands this year, after a pretty heavy schedule since 2006 I have decided to give this year a miss. Its been a tough year and at this moment in time I think my energy, time and money is better directed into other things.

If your in the Aberdeen area do make the Touched By Scotland exhibit, I’m told its a very nice gallery and hope to make it up myself before Christmas.


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Merge @SkyPark


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MERGE – This exhibition opened on Thursday the 5th of September and runs until 29th of October.
Located in the basement of one of the building in the Skypark business center in Finnieston Glasgow.

The show was put together by Rebecca Glen who runs Creative Banter, a monthly meet up for those in the creative industries. This exhibit comprises people she met throught this and some of the participants of the RockPaperVideo show from last month @DNA.

During the course of the 7 week exhibit we are open daily and will have a series of events. Like the book night where artists bring in their favorite inspirational books to share with each other. Be it graphic novels, photography, art books, maps, anything that we personally treasure.

The first book night is on Thursday the 12th. Anytime from 5pm till 8.

We also plan artist talks and film nights.

Check out the FB event for further details and to keep up to date with happening. I really recommend visiting the show as the group work on show is of a excellent standard.


This is me beside my picture ‘Hide Away Tiny Creatures’ taken by Dreghorn Photograhy Studios on the opening night.

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