Japanese Forest Collection

Void (2016/22)

Void (2016/22)
On Wood Panel
Unframed Box Panel
20×30 inches
Medium – Graphite/ 顔彩 Gansai Japanese Watercolour / Acrylics / Salt / Resin

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£230 +p&p*

*UK p&p £30 / World Contact For Quote

Paintings are custom boxed and sent by courier direct from the studio to your home.

Something of a concept album work. Started in 2016, the landscape was obliterated several times with milky salt washes fading out stippled tree forms.
I’ve been adding to this in sessions since.

The resulting landscape has been consumed by the void, appearing in the center of the scene.
Man’s relentless disregard for nature, the destruction.

Summers Eve (2018)

Summers Eve (2018)
Acrylics On Board
31.5x63cm Framed

Signed on reverse.

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£250 +p&p*

*UK p&p £30 / World Contact For Quote

Paintings are custom boxed and sent by courier direct from the studio to your home.

Evening Sounds (2018)

Evening Sound (2018)
Acrylics & 顔彩 Japanese Gansai Watercolour Inks
Clear Resin Finish
60.5 x 33cm Framed
Signed on reverse.

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£250 +p&p*

*UK p&p £30 /

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Paintings are custom boxed and sent by courier direct from the studio to your home.

Frame White.

One of my favourites and nearly impossible to photograph a realistic representation of how lovely it is.
Produced in 2018 and was part of the first set of paintings made with my (then) new scratch technique to make the trees.
Also one of my paintings containing a rare waterfall.

Spring Moon (2018)

Spring Moon (2018)
Acrylics & 顔彩 Japanese Gansai Watercolour
Clear Resin Finish
63x33cm Framed

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£250 +p&p*

*UK p&p £30 /

World Contact For Quote

Paintings are custom boxed and sent by courier direct from the studio to your home.

Winter Forest View (2021)

Winter Forest View (2021)
Acrylics/Inks/Graphite/Salt/Resin
On Canvas/Board
Framed
44×53.7cm

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£150 +p&p*

*UK p&p £30 /

Contact for Worldwide Delivery

Paintings are custom boxed and sent by courier direct from the studio to your home.

Worked on from 2016 / 2020 framed in ’21. A very experimental painting which over the last 4yrs has been through a number of stages, layers covered and destroyed with washes of milky paint and salt, sanded back, and worked over numerous times.
The final layer was dragging resin across the painting but not enough to do a full cover, the effect is to look like rain on a window.
The whole canvas was then cut from the stretchers and fixed to board. The edges are rough and areas of edge splintering can be seen as it was cut in a rather unorthodox fashion.

The scene itself is of a forest, it’s a turquoise colour, blue jade golden tones. It’s snowing and only the peaks of the dark forest appear in this moment you look out the window.